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Joshua Stephens | Feb 11

The Slow Burn: A Little Love from Louisiana

Recently, I received a care package from an online cigar brother with a note that read:


“Joshua, a little love from Louisiana. I lost my sister to addiction in 2018. I admire your strength and conviction to choose a better path daily. Some local sticks from LACC — Gris Gris + Padre Eligio. From Habano Port — 15th Anniversary (blended by Eladio Diaz) + a Lagniappe. Plus, a Connie for your lovely wife.”


For the new ones around here, I’ve been in recovery for nearly a decade.


After admitting I was powerless over my addiction and that my life had become unmanageable, I checked into a 30-day inpatient treatment facility on June 12th, 2017. The first couple of years in recovery were the hardest years of my life. Finding a new way to live required everything to change: people, places, and things.


Friends from active addiction. Bars. Clubs. Old hangouts. Even specific streets where I used. Music. Movies. Credit cards. Everything had to go.


I learned quickly that the brain is fascinating. Drugs alter neural pathways by hijacking natural reward systems, creating long-lasting neuroplastic changes. Neuroplasticity, the brain’s lifelong ability to reorganize its structure and function, is what drives the transition from voluntary use to compulsive addiction.


At least… that’s one component.

Then there’s Step Two:

“We came to believe that a Power greater than ourselves could restore us to sanity.”

A lot can be said here, but I’ll sum it up through my own experience.


I believe humans have an innate function to worship. Many associate “worship” strictly with religion: Christianity, Islam, Hinduism, Buddhism, etc. But Ed Welch, in Addictions: A Banquet in the Grave, proposes something deeper: addiction is ultimately a disorder of worship, where we elevate our desires above God.


He describes addiction as bondage …when a substance, activity, or state of mind becomes the center of life, defending itself against truth even in the face of consequences. In other words:

Addiction is idolatry.

The worship of created things (substances, validation, pleasure, escape, etc.) instead of the Creator.


Child Protective Services seized me from my home as a kid and placed me into the care of the State of Texas. I spent years in foster care before eventually being placed with my grandmother. She did the best she could, but the damage had already been done.


Abused. Confused. Unwanted. Left out.


Grief and loss shaped my early identity. Fear of abandonment turned into attachment challenges. Even though I longed for deep connection, forming secure relationships felt nearly impossible. Anxiety, depression, and emotional dysregulation weren’t occasional visitors; they were a way of life.


Research shows adopted individuals carry a higher risk of substance abuse disorders due to genetic predisposition, early trauma, and pre-birth exposure:


Amphetamines — 3.14× higher risk

Hallucinogens — 2.85× higher risk

Cocaine — 2.54× higher risk

Opioids — 2.21× higher risk

Alcohol — 1.84× higher risk


So there I am, a statistical poster child for addiction. A lot could be unpacked about the contributing factors and how I responded to my environment…but this isn’t a recovery blog.


It’s a cigar blog.


I say that because although addiction is part of my story, “addict” is not my identity. But it does play a major role in my why. Why did I create Brolo? What’s the real purpose behind it?


Haters will say it’s an opportunistic ploy for money, but that couldn’t be further from the truth. Startup costs are high. Profitability can take years. It’s a nickel-and-dime business model with heavy labor and razor-thin margins.


Brolo came to me in a dream.


Literally.


I saw a landscape of people desiring connection but not knowing how to achieve it. Lonely faces scattered across back patios, garages, and apartment balconies…smoking alone. I thought about the guys who walk into cigar lounges, make a purchase… and leave. Never staying for camaraderie. Never feeling like they belonged.


And I sensed a calling.

I saw outcasts. The marginalized. The broken. The misunderstood. The ones who feel… lost.

And eventually I realized something:

I wasn’t just seeing them.


I was searching for the younger version of myself, the one before I found tribe, before recovery, before purpose. The version that was barely hanging on by a thread. Spiritually bankrupt. Desperate for connection, but terrified to step into it.


Cigars didn’t save my life.


Recovery did. Faith did. Brotherhood did.


But cigars became the bridge.


They gave me a table to sit at. A reason to slow down. A space where conversation wasn’t forced…it unfolded naturally. You can sit in silence with another person for 90 minutes smoking, and somehow say more than words ever could.


No phones. No masks. No pretending.


Just presence.


And I realized something powerful:

Connection heals what addiction tries to counterfeit. Addiction promises belonging but delivers isolation. Brotherhood requires vulnerability but produces freedom.


Brolo was built to close that gap.


Not just to sell cigars… but to create spaces where people feel seen. Where the lonely find seats. Where the outcasts find tribe. Where conversations go deeper than wrapper shades, blends, and burn lines.


So when I opened that box from Louisiana… it wasn’t just cigars.

It was proof.

Proof that connection travels. Proof that brotherhood exists beyond geography. Proof that something born from brokenness can still build community.


Inside that package were incredible sticks, blends with story, craft, and heritage. But what I really received was love. Love from someone who understood loss. Someone who recognized the road I’ve walked because he’s walked his own. Someone who chose generosity over silence.


That’s the part that hit me.


Because years ago, I was the guy smoking alone…spiritually bankrupt, emotionally isolated, searching for something I couldn’t name. I had the ritual… but not the brotherhood.


And now… here I am.


Receiving care packages from brothers I’ve never met in person. Sharing cigars that carry stories deeper than tobacco. Building something rooted not in profit but in purpose.


Brolo was never just about the leaf.


It was — and always will be — about connection.


So to my brother in Louisiana… thank you. Not just for the cigars, but for the reminder that none of us have to smoke alone anymore.


Light Up & Lean In

Light Up & Lean In,

Joshua Stephens

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Born in 1983, I grew up during a strange and wonderful time to be alive.


I remember summer mornings when parents encouraged you to leave the house and didn't expect to see you again until the streetlights came on. Nobody had Ring cameras. Nobody was posting

neighborhood warnings on Facebook. We weren't worried about the "big bad wolf" down the street. We had one family phone hanging on the kitchen wall...unless your parents were absolute ballers and paid for a second phone line.


Weekends were spent at sleepovers. We'd roam the aisles of Family Video or Blockbuster looking for the perfect movie. If we got lucky, we'd stop by Little Caesars next door and grab a Bigfoot Pizza before heading back to somebody's house.


Late nights meant MTV, TRL, Beavis and Butt-Head, and Twisted Metal tournaments that felt like they carried the weight of the world. Mellon Collie and the Infinite Sadness played through cheap speakers while we argued over who cheated and who got robbed.


Then, seemingly overnight, everything changed.


Dial-up.

24k modems.

The internet exploded.


Half my childhood happened before the online world. The other half happened after it arrived. The soundtrack of my life changed from guitars and arcade machines to the sound of AOL connecting.

You know the one.


Suddenly there were chatrooms. Screen names. Endless possibilities. Every conversation started with the same question: A/S/L?


As a tweenager, I found myself staring into a world I wasn't quite ready for.

I came from humble beginnings.


My Grandpa T-Mack…better known as "Smokey" Stephens…passed away around the time I was born. My birth father was never in the picture. My birth mother was just a kid herself, carrying a responsibility no fifteen-year-old should have to carry alone.


I spent time in foster care and bounced between homes before eventually landing with my grandmother, Joyce.

Joyce was a firecracker.


She worked at the county courthouse, where she met my grandfather. But by the time I came along, life had taken its toll. COPD. Asthma. Brain aneurysms. Most of my memories of her involve oxygen tubing and a wheelchair.


But none of that stopped her.

When she gained custody of me, she and her husband Bobby owned a little honky-tonk in East Dallas called The Junkyard Club.


To a kid, it was magic.


The place wasn't fancy. About 2,500 square feet. A full-service bar and kitchen. Cheeseburgers and fries served in hubcaps. Pool tables. Shuffleboard. An Elvira pinball machine. A Galaga cabinet tucked in the corner. Live music every Friday and Saturday night.


Grandma would bring me to the club after school while she worked the books.

I'd spend hours wearing out my wrists on Galaga while the cook fed me an endless supply of grilled cheese sandwiches. Every plate came with maraschino cherries.


The regulars all knew me.


One afternoon, an older gentleman dared me to eat a handful of jalapeños. Since Grandma didn't raise a quitter, I accepted the challenge. A few seconds later, I was sprinting through the bar screaming while tears rolled down my face. The regulars laughed. Grandma never looked up from her paperwork.


But the coolest thing in the entire place wasn't the arcade games. It was the school bus. After getting past security, you'd walk inside and immediately see it sitting on the right side of the club. A full-sized yellow school bus.


Somehow it had been disassembled, moved inside, and put back together as the centerpiece of the bar. Inside were booths and tables. But at the very front, beside the driver's seat, was The Table.


You could look out over the entire room from there.


It wasn't elevated much, but it felt like it was. To a kid, it looked important. It felt important. Like some kind of white-trash luxury suite. A little reserved sign sat on the table.


But here's what I eventually learned:

It wasn't reserved for the people with the biggest wallets.

It wasn't reserved for the loudest people.

It wasn't reserved for the owners.

It belonged to the regulars.

The people who knew everyone by name.

The ones who threw twenty dollars into the jukebox and played Creedence Clearwater Revival until everyone else was sick of hearing it.

The ones who showed up.


Again.

And again.

And again.


They had earned a seat at the table simply because they were part of the story.

Early in the evenin', just about supper time...

Down on the corner, out in the street...

Willy and the Poor Boys are playin'...


That was our place.


A place to know people and be known by them. As a kid, I didn't have the words for it. I just knew it felt different.


The smell of cigarette smoke hanging in the air.

The beer-soaked bar mats.

The sound of live music echoing through the room.

The laughter.

The conversations.

The feeling of belonging.

I felt connected.


When my grandfather died from cancer, Grandma sold the club. Eventually the building became something else. These days it's called The Lone Star Cafe. It's still there.


Back before I got sober, I'd stop by every December 21st…Joyce's birthday. I'd order her favorite drink. A margarita. No mix. Just tequila, fresh lime juice, a salted rim, and a lime wedge. Then I'd feed a few dollars into the jukebox and play CCR.


The school bus is long gone now. But when I close my eyes, I can still see it.


The band is playing. People are laughing. Someone just beat my high score on Galaga. Another guy is staring at Elvira. Pool sharks are running the tables. Sherry the bartender slides me another cup of maraschino cherries.


For a moment, life is exactly as it should be.


That's what Back Booth is about.


Back Booth is our boldest core cigar. A 5x50 Robusto wrapped in Mexican San Andrés. Medium-plus in strength. Full of character. Rich, dark, and unapologetic. My friend Austin described it as tasting like the best barbecue bark he'd ever had. Granted, he's from New York, so we'll take that review with a grain of salt.


But he wasn't wrong.


Because barbecue and cigars have a lot in common. Neither can be rushed. The best briskets aren't built in minutes. The best friendships aren't either. Both require time, patience, smoke, and a willingness to stay put longer than everyone else.


That's what the Back Booth represents.

Not exclusivity.

Not VIP status.

Not some velvet-rope version of cigar culture.

It's a seat that's available to everyone.

But it takes time to appreciate why it's special.

It's for the people who understand that the best conversations happen after everyone else has gone home.

The ones who know that community isn't built overnight.

The ones who keep showing up.

Again.

And again.

And again.

So pull up a chair.

Look out over the driver's seat.

Watch the crowd.

Catch the glow of the neon signs.

Listen as some up-and-coming band works their tail off trying to move the room.

Then take a look at the person sitting across from you.

Because moments like those don't last forever.

And that's exactly what makes them worth savoring.

So Light Up & Lean In.

Enjoy the moment because the "good 'ole days," well…you don't know you are in them until they are gone.

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